ZUIHITSU

ZUIHITSU*QUIRKY THOUGHTS COLLECTION

* Japanese: a running brush

ESSAYS, PERSONAL STORIES AND CURIOSITIES FROM OUR GUEST FEM人LE CONTRIBUTORS

LIEW NIYOMKARN: EITHER WAY IS

LAILA SAKINI: AUDIENCE INTRIGUE AND THE PRACTICE OF PATIENCE

MARTINA MACCIANTI: ART, SOUND, QUEERNESS (2/2)

FUJI-YUKI: * * *

ECKA MORDECAI: ON BODIES AND EGGS

ANTONIA ALESSIA VIRGINIA BEESKOW: SONIC TOUCH

AMBER MEULENIJZER: APERO

MARTINA MACCIANTI: ART, SOUND, QUEERNESS (1/2)

MARTINA MACCIANTI: ART & (IS) POLITICS

SUNAINA ARYA * DALIT FEMINIST THEORY

AGF POEM PRODUCER * INSISTING TO REMEMBER

BEARCAT * CHARGED UP – SANDY SPEAKS

YARA MEKAWEI: 1963

AMIRTHA KIDAMBI: FOR MY FRIEND AND COMRADE JAIMIE BRANCH (1983-2022)

DIANA LOLA POSANI: SCREAM AS IF YOUR ORGANS WERE MADE OF GLASS

MONIKA PICH: SIMULTANEOUS SPACES

NETTNETT TAKE-OVER * DYSCX: SICK SPELL

NETTNETT TAKEOVER * LEA BACHAR: LA NETA

NETTNETT TAKE-OVER * ANNA VILLALPANDO: SOLO PUEDES DECONSTRUIR LE QUE AMAZ, BEBÉ

NETTNETT TAKE-OVER * GU: LAST NIGHT A CRYSTALLOGRAPHER SAVED MY LIFE

NETTNETT TAKEOVER * LEA BACHAR: AUDIO REVOLT

MIKI YUI: LISTENING TO ECOLOGY

EKATERINA BAZHENOVA-YAMASAKI: TIME STRETCHING PROPERTIES

SARA XIAYU: SCENTOGRAPHERS

MIZUKI ISHIKAWA: ZUIHITSU

PAK YAN LAU: HIDDEN SOULS AND CURIOUS OBJECTS (A PERSONAL TAKE)

GIULIA DEVAL: XIPE – ON BEING NEPANTLERAS

NINA PIXEL: MÜGGELSEE OBSERVATIONS

ELYSE TABET & SARAH HUNEIDI: SOUND PRODUCTION IN A TECTONIC ENVIRONMENT

CRYSTABEL RILEY: SKIN SURFACES

SUSANA LÓPEZ: THE POLITICS OF NOISE

JULIA KENT: MAX NEUHAUS

METEORO: ON SOUND, MATTER AND COSMIC GARBAGE

US GIRLS: STAGE DIVE

JOHANN MERRICH: DO I HAVE TO CUT MY HAIR AND GET A JOB?

CARLA VITANTONIO: ARIRANG – NORTH KOREA’S MASS GAMES

CHIARA LEE: LITTLE AMERICA AND OTHER NON-PLACES OASIS